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Painting Pushes Its Limits

"Painting: Now and Forever, Part II," a group show occupying both the Matthew Marks and Greene Naftali galleries, refers back to a survey of contemporary painting (Part I) held a decade ago at Marks...

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Wiley Conquers the 'World Stage'

When Kehinde Wiley (b. 1977) began exhibiting his portraits of young African-American males some five years ago, they hit a cultural sweet spot, bringing a hip-hop swagger into the gallery, and...

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The Twins of the Rec Room: Os Gemeos

Os Gemeos — "the twins," in Portuguese — is the nom de plume of the twin Brazilian artists Gustavo and Otavio Pandolfo (b. 1974) of São Paulo, Brazil. Their work borrows the idioms of outsider and folk...

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'Retrospective': Been There, Sold That

'Retrospective," a group show at Gagosian's 21st Street gallery, is like a summer concert festival with some very promising, big-name acts. Its organizing principle, the ways a major artist looks back...

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Three Artists Do It Themselves

One corporate-style production-line aesthetics inaugurated by Andy Warhol (and celebrated by artists from Damien Hirst to Takashi Murakami and Jeff Koons) has been the DIY (Do-It-Yourself) reaction to...

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The National Academy Museum's Grab-Bag Anthology

With the work of 130 artists on display, "The 183rd Annual: An Invitational Exhibition of Contemporary American Art" at the National Academy Museum is a bit of a grab bag. As compared with previous...

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A Commitment to Color

The foundation myth of Color Field painting goes something like this: In 1953, two Washington, D.C.-based artists, Morris Louis and Kenneth Noland, paid a visit to the New York studio of Helen...

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Robert Rauschenberg, 1925-2008

I remember well the first time I saw Robert Rauschenberg, who died yesterday at age 82. It was at a Whitney Museum opening in the early 1990s, and the artist, whom I did not meet, stood in the...

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Amy Bessone's Artificial Appeal

Amy Bessone paints figurines as if they were human beings. This might seem a simple and potentially static approach, yet the 12 large oils in the Los Angeles-based artist's first New York solo show,...

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'Double Album' at the New Museum

Walter Pater asserted in the 19th century that all art constantly aspires to the condition of music. Today's contemporary artists, however, seem mainly to aspire to talk about music — in the...

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In Brilliant Color

Danish-Icelandic artist Olafur Eliasson (b. 1967) tends to focus on the simplest things, the most elemental phenomena. Wander through his room-size installations and you'll find yourself largely alone...

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Words of Wisdom and Wit

The criteria shaping "Lots of Things Like This," a new exhibition at apexart curated by the author Dave Eggers, are as simple and deadpan as its title. Mr. Eggers sought work containing an image, some...

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Onscreen Angst, Straight From the '60s

With "Because of Him," their new exhibition at Cheim & Read, the collaborative duo McDermott & McGough have finally arrived in the 1960s. About a quarter-century ago, David McDermott (b. 1952)...

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Figure and Ground

The British artist Katy Moran (b. 1975) employs a palette out of Turner, brushstrokes borrowed from de Kooning, and the press release of a lesser Gerhard Richter or some other conceptual painter. Yet...

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In Keeping With Warhol

When it opened in 1980 at the Jewish Museum — after first showing at a Jewish community center in Rockville, Md., and at the Lowe Art Museum at the University of Miami — Andy Warhol's exhibition "Ten...

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Rainbow Coalition

"Color Chart," a new exhibition at the Museum of Modern Art, is an exhibition so simple and right in its conception that one marvels at the fact that it hasn't been done before. The show gathers work...

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What Makes a Museum?

The final phase of the New Museum's inaugural exhibition, "Unmonumental," is largely devoted to work that challenges the traditional definition of what constitutes a museum. "The Sound of Things:...

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John Chamberlain's Heavy Metal

The five large pieces in his new show at PaceWildenstein Gallery suggest that the sculptor John Chamberlain (b. 1927), now in his 81st year, has lost none of the playfulness and verve that have long...

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Dislocating Dreams

Luis Gispert (b. 1972) is a Miami-based artist whose considerable talents have earned him a show, called "El Mundo Es Tuyo (The World Is Yours)," that occupies two prestigious galleries. "Smother," a...

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Before the Buildings

Architectural drawings and models do not easily inhabit gallery spaces. The reach of three dimensions and the impact of size seem so crucial to creating the drama of architecture that buildings in...

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